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The Lipstick Page Forums Beauty & Fashion Blog
Montale Jasmin Full review part 2


Posted by Colleen Shirazi, Friday, September 07, 2007 3:12 PM (Eastern)

(see part 1)

I knew it! It was a matter of putting more of it on, about the same as any other eau de parfum (unlike Aoud Roses Petals, which fares well on a couple of drops).

I've been wearing Jasmin Full over the past several days; don't even feel like moving on to my other samples. I've decided, albeit a bit grudgingly, I prefer this over the two Diptyque florals I'd been turning over in my mind: Do Son and Jardin Clos. Partly, admittedly, because the Diptyques don't last that well on, and don't come in a more concentrated form.

Jasmin Full is more on the level of Annick Goutal's Passion to me. (Sure, the Passion EDT doesn't last well either, but it least it comes in eau de parfum...the Annick Goutal EDP's I've tried have been decent.)

These are all essentially floral perfumes. I would like my next perfume to be more floral than anything else. I suppose if you analyze it, I'm not seeking an abstract smell--which also makes my perfume quest simpler and easier--fewer factors. I'm seeking something close to the smell of flowers in the South...in hot, humid, almost tropical weather. It is not the same, smelling flowers in dry--and, around here, temperate--California. Many of California's more spectacular blooms, such as bougainvillea, don't smell at all. The flowers that are fragrant certainly smell nice, but never seem to drench you in their perfumes.

So I am looking for that drenching, intoxicating floral experience. Second to that, would be a citrus experience...which is where Etro Shaal Nur and Annick Goutal Eau d'Hadrien might enter into it. Thirdly, would come what I think of as a more traditional perfume experience: the well-balanced, well-composed scent where the notes are blended so perfectly, no one note stands out, and you're left with this incredible wall of yum (I always think of Phil Spector right about here, at least in his old days when he created the Wall of Sound).

Of these three broad types of perfumes I like, the Wall of Sou--er, of Yum--would be the hardest to find.

It's relatively easy to find a perfume that smells almost purely of flowers, and from there, of the right flowers, and from there, a perfume that won't require a second mortgage, lasts well on, doesn't cause skin allergies, and just smells all-around divine. The art lies mainly in creating a natural smell of flowers, with enough depth to create interest (and that is where many a lesser floral scent fails).

Citrus likewise isn't all that obscure; it would need a few notes to balance it out, but it's probably better as a relatively stripped-down scent anyway.

On a side note, I've had The Ronettes' "Be My Baby" video in Blogger draft mode for days now, wondering what to do with it. It turns out that very song "...is often cited as the most perfect expression of the Wall of Sound." (Wall of Sound - Wikipedia)

As much as I generally dislike non-scent-related references to perfumes--they don't make sense to me--I might as well play The Ronettes! (It's a lovely song, and yes, they were still playing it on the radio in the 70's.)


The Ronettes - Be My Baby (1965)

Along with this, I stumbled across Eddie Money's duet with Ronnie Spector, "Take Me Home Tonight." I always liked that song, felt it didn't get the recognition it deserved...then again, Eddie Money was never really considered a Great, either, as there were tons of Springsteen-alikes floating around in those days.


Eddie Money - Take Me Home Tonight (1986)

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Colleen Shirazi continues to blog here: Life of Colleen
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