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The Lipstick Page Forums Beauty & Fashion Blog
Beauty Notes: Color Theory (part 3)


Posted by Dain, Wednesday, November 07, 2007 1:44 AM (Eastern)

This isn't so much part 3 as it is an addendum. These are my colors (as opposed to concealer and mascara, which are not "colors"), palette-esque layout, though I rather prefer tubes for lipcolors. Odd how I keep linking to these posts, but I recommend perusing part 1 and part 2 if you are interested in what led up to this brief blurb.

I don't have very many face shots as I'm generally camera-shy and when people do take pictures of me I tend to stare off into the distance.

    One True Blush vivid cool rose, it's not quite neutral, as leans ever so slightly towards purplish
    Everyday Lipcolor NARS Gothika is essentially my first favorite lipcolor (Jane Loco Cocoa) all grown up: a burnished rose with soft gold shimmer, with substantial berry undertones a slight browned peachiness—so superbly balanced that it supplants all other lipcolors
    Intense Lipcolor except when I desire drama, in which case Giorgio Armani Armanisilk #46 Bordeaux, a creamy raspberry-tinged crimson (cool, but more subdued than a purplish blue-red) that flatters exemplarily
    Smoky Liner the easy-smudge formula of MAC Teddy Kohl, with its better-than-basic sable shimmer, pairs with absolutely everything
    "Fleshtone" Eyecolor the silvered champagne of NARS All About Eve may look a boring beige, but the conglomerate of many shimmers (silver, beige, peach, gold, even pink and green) mimics light itself
    Complementary Eyecolor for something fresh and pretty, I trade in Chanel Lavande as a wash, an ethereal lilac of stunning complexity that goes not the way of inferior lilacs: over-frosty, superpastel, too blue, too pink, delicate but not ephemeral
    Contrasting Eyecolor the moody sea blue of L'Oréal HIP Sassy is gorgeously edgy as liner (applied over black pencil, thusly included), especially in concert with the brown of my eyes
I'm a little surprised by how intensely pastel-party my colors are, which goes to show how much personal taste still features in this method of choosing colors. Everything matches each other (because it all references the blush in some way, which matches me perfectly), though I can't imagine myself wearing both lilac and blue eyeshadow at once, but may also stand singly, as each eyeshadow or lipstick does great favors to its particular feature.

I should make a disclaimer. In no way do I support a uniformity of style, because style is always personal. I do believe that minimalism hones your taste because it forces to you make more deliberate choices, but it's hardly for everyone. As for the "Unified Color Theory", it is merely a far more certain method of choosing colors than that warm/cool/neutral nonsense or stuff like "Asians should wear such and such a shade." In truth, I wear the same sort of colors as a cool blonde (this may sound odd, but it makes sense when you consider that blonde hair is actually the same pigment as black hair, just extremely dilute), which makes very little sense according to stock advice.

As for these frivolities we buy and spend so much time on (at least, I do), what's the point if they don't make us feel better about ourselves? What I object to is the abuse of shopping as a crutch. It's sort of like the difference between someone who enjoys a cocktail and an alcoholic.

If you haven't seen Hedwig and the Angry Inch, you should. It's got great hair, makeup, and clothes, and it is oddly very... sweet. (She was just dumped.)
"Wig in a Box".

My favorite song from the movie, "The Origin of Love". Based on, of all things, Plato's Symposium, and I kind of love Hedwig's makeup. And the grungy man is really a woman (lol).

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