I suspect I have nothing cohesive to say, so have elected to use a bullet list.
Skin. Finally used the last squeeze of Dr. Hauschka's Cleansing Cream. The tube lasted about five months, used once per day (I use the Cleansing Milk at night). I tried going without it for several days to see what would happen, and have decided my skin was better off with it. I was going to repurchase it today, then got caught up finishing some earrings I'd been fiddling around with for weeks, so I'll probably shoot for tomorrow, but it's a keeper.
Clothes. Here's a tip I got from the administrative assistant at my job. You can get rid of static cling by spinning your clothes in the dryer--no heat--with a dryer sheet. These are clothes you have to line dry, so line-dry them first, but it really does work.
While I was at it, I tossed in some clothes I'd normally have to iron. If they're not super wrinkly, you may not need to iron them.
Perfume. Debating between Patou's Joy and Sublime as my next perfume (after I've used up Etro's Heliotrope). I've been wearing Sublime as a layer...it's a tad too sweet worn alone, but so what, so is Montale's Aoud Blossom. It's a sentimental choice, as would be Joy, but Sublime is the more significant of the two to me.
Sublime is about Washington State in the early 1990's, when Kurt Cobain was still alive, and Nordstrom still had superior customer service (okay, they probably still do in Washington State, but it's lousy here). I was a starving student and loved passing by the perfume counter at Nordies, and this was one of the fragrances I coveted most.
Shoes. I've been okay with the shoes I got. They're not my dream shoes, which would be Cydwoq, Jim Barnier or Taryn Rose (in that order). Something more beautiful, more durable.
I'm not really against high heels, I just don't wear them. I can see the point; they are a sculpture. For something like a party or occasion, I would consider wearing them...I had some when I was fifteen or so, that were genuine stiletto heels (not super high, but actual heel-heels).
My gripe is finding shoes that look the way I want them to look, yet allow me to walk eight city blocks in half an hour, or break into a run to catch a bus, and the like. I hate feeling constrained in shoes. In that regard, the ones I have are not it either. "It" starts at $300, so, my shoes should last until I feel like paying that much. :D
I can admit I like them all the same. The strappy ones are good for hot weather; your feet don't get sweaty. I'm still stretching out the pump toeboxes, off and on, when I have nothing better to do.
Jewelry. I've made some good earrings lately. I keep hoping to take pictures, but jewelry is one of the hardest things to photograph. You'd need a small area reserved just for taking pictures of it, or a whole lotta time.
I can describe them, but, eh. One is three lengths of oxidized textured silver chain, with the shortest length on the outside and the longest on the inside. I hung three colors of tourmaline faceted "hearts" (the "pear" is the flat teardrop shape, while the "heart" is the fat bottomed flat teardrop)--deep pink, green, and lavender, one at the end of each chain.
The next was my first attempt at a theme: a simulation of falling rain. So I used lengths of silver flat cable chain (the flat surfaces catch the light when they move), small green amethyst faceted pears, and small aquamarine faceted drops. (It's funny, you always think to buy the bigger stones, but earrings often require small ones).
The third pair I finished today. Were they a pain to make! I'm already planning to solder soon...I've heard you can buy a soldering iron at the dollar shop; the real cost is the solder and flux, both of which I now own.
These are hammered golden hoops, and I wanted to hang a bar across the center. Hanging the bar is relatively easy, but without soldering, you have to devise a means of keeping the bar stable. Squashing or hammering the bar on the hoop doesn't do it.
I came up with two ideas. One is to use a crimp bead--a tiny round seamless metal bead--you thread two beads on the hoop when you're making it. You use crimping pliers (as they sound, special pliers to neatly press and fold the crimps) to crimp a bead under each end of your horizontal bar. I've done this with crimp tubes because I had no crimp beads on hand, and it works well, but the crimp beads would look nicer than the tubes.
The other involves wrapping fine-gauge wire on the sides of the hoops above either end of the horizontal bar. The idea is to block either end of the bar from moving up the side of the hoop. This also works, and the fineness of the wire makes it unobtrusive.
Okay...so on each horizontal bar, I have a metal fringe, made of pieces of wire...you make a loop on one end of each piece of wire, hammer out the other end flat, then file the edges of the hammered end to make them smooth and rounded.
I'm trying out some wire-intensive ideas, because I'm thinking of getting karat gold wire. You have to be sure of your design because you can't make mistakes with the spendy stuff. Not sure if this design is "karat-worthy" yet. It's nice...the swinging golden fringe sparkles like fanciful sun rays. But the construction turned out to be more involved than I'd thought. I like the fringe and hoop; perhaps I could come up with a simpler version, or even just start out with a plain heavy hammered hoop.
Reading. Technical manuals, such as "Lasso for Dummies" (just kidding, I think the only book written on Lasso is the manual the Lasso people publish). Lasso is a scripting language. I don't think I'll ever read anything but technical manuals until Dain publishes her book, then I'll be happy to read that. I haven't heard of anything tempting to read lately, at any rate.